Flashmag! Issue 172 Mai 2026 Flashmag! Issue 172 Mai 2026vFlashmag! Numéro 172 Mai 2026 | Page 38

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her return to America and the renewed humiliations— and issued a call to young people that remains as relevant today as ever:“ I want you to have the opportunities I had, without having to flee your country. You need to go to school and learn to stand up for yourselves. A pen is mightier than a sword”.
These words carry all the more weight because they come from a woman who herself had to flee in order to be free. But Josephine Baker refuses to let her freedom remain an individual privilege. She wants to turn her experience into a collective demand. France offered her what America denied her— and she uses this as an argument, not to glorify France, but to say: this world is possible; we must build it here, now, without delay.
Flashmag! Issue 172 May 2026
Josephine Baker triumphs in Paris during the Jazz Age. Josephine in one of her elaborate costumes, c. 1930.

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ART AS FAITH · A PHILOSOPHY What the stage has taught him about the world
Throughout her career, Josephine Baker refused to separate art from life, the stage from the street, performance from politics. For her, dancing was a moral act: offering her joy to the world, forcing prejudices to retreat in the face of a free and radiant body, proving through movement what words struggled to convey. She often spoke of art in terms of love and giving— never of technique, never of virtuosity. What mattered was sincerity, the raw humanity that passes from a body to a room, from a voice to an ear. A violinist had a violin, a painter had a palette. All I had was myself. I was both the instrument and the music. I was never really a great artist. I was a human being who loved art, which is not the same thing. But I loved and believed in art and the idea of universal brotherhood so much that I put everything I had into it, and I was blessed. On the subjects of racism and interracial mixing, she held beliefs that were as shocking as they were inspiring. She did not believe in the separation of peoples— not out of naive idealism, but because her own existence, born of a white father and a Black mother, was living proof that mixing was possible, natural, and necessary. I think they must mix their blood, otherwise the human race is doomed to degenerate. Mixing blood is wonderful. It makes men strong and intelligent. It removes the weak-minded.